[設計]OPUS DESIGN AWARD 2008(08/6/30)

“Expression of Time”

Eyewear design is a segment of contemporary expressions. Just as architecture, interior and fashion designs illustrate era, eyewear embraces various factors of trend in fashion, philosophy, and lifestyle of the time. “Deliberating today through the subject of eyewear” is comparable to searching significance in design.

Registration:
April 1, 2008 - June 30, 2008

Submission of Entries:
June 1, 2008 - July 31, 2008 (entry deadline)

Announcements:
Official website / Mid-October, 2008

Gold Prize:
1 award 1,000,000yen in prize money

Silver Prize:
2 awards 250,000yen in prize money

Committee’s Special Prize:
5 awards 50,000yen in prize money

Winning Entries:
Approx 100 awards

EYETEC CO., LTD.
2-6-8 Kaminaka-cho, Sabae-city, Fukui 916-0016 Japan
Fax +81-778-52-3572

Japan Design Net

Eyewear designs for such fashion galasses, correcting glasses, sports glasses, sun glasses and reading glasses.

None. Collaboration is also accepted.

Applicants must register before submitting entry. Applicants can register through this page or by faxing the following information or by mailing to the event secretariat.

Name, nationality, address, age, birthdate, telephone number, fax number, e-mail address, school or company name.

Your entry needs complying with the following items. Unless otherwise your entry work may not be accepted.

File Method	Data		Paper
	By Online or Floppy Disk	By Compact Disc
Type of File	JPEG type only
File Size	* One work must be within two files. * Color palette form must be RGB.		No more than two works of either size A2, A3, A4.
	The whole data capacity for one work must be within 1.5MB as the files are closed. The size of the works is free as long as you meet these requirements.	If it is within the limits of the above-mentioned regulation, there is no restriction of data capacity.
Entry Number	Add your registration number at the lower-right corner of each work.
Attachment	In the case of sending your works by post You download and print out entry work form. Then fill out the entry work form, and send it with your work by post. Please download from here. apply-sheet-en.pdf (115KB) In the case of sending your work by internet Please fill out entry work form, and send it with your work by internet. The whole data capacity for one work must be within 1.5MB as the files are closed.
Send to	Secretariat
Others	* When you're Macintosh user, using PC-formatted floppy disk only. * When you send us plural works, please be sure that you send us one floppy disk per one work.	* You should avoid the memory by the way of packet writing.

Design rights and copyrisghts for award-winning entries will become the property of the event sponsor.

Entries must not be returned in principle. Applicants bear all costs for returning.

Entry work must be unpublished. Previously published work will be left out of the selection.
In case you encounter copyright infringement or any breach of copyright and related rights among entry works of OPUS DESIGN AWARD Competition, secretariat will not bear any responsibility for material damages or any copyright issues.
An applicant or a group of applicants shall bear any costs and charges of transportation. We would recommend that the applicant will insure entry works if desired.

Opus Design Award Secretariat
2-6-8 Kaminaka-cho, Sabae, Fukui 916-0016 Japan
Fax +81-778-52-3572
E-mail info@opus-award.com

Shigeru Uchida Interior Designer Born in Yokohama in 1943. Graduated from the Kuwasawa Design School in 1966. In 1970 Uchida started his own firm, Uchida Design Studio and later in 1981 established Studio 80 with Toru Nishioka. Uchida received the Mainichi Design Award, the Best Store of the Year Special Award, Shokankyo Design Award Grand Prize, the First Kuwasawa Design Award and others. As the leading Japanese designer, Uchida has been engaged in a wide range of design projects such as a number of interior works, furniture, products and urban planning in Japan and abroad. His major works are the Wave building in Roppongi, the series of boutiques for Yohji Yamamoto, the Japanese Government Pavilion for Tsukuba Expo. '85, the Hotel Il Palazzo in Fukuoka, the lobby of the Kyoto Hotel, the Kobe Fashion Museum, the tea rooms 'Ji-an, So-an, Gyo-an' and the Mojiko Hotel. His works became a part of permanent collection at the Metropolitan Museum of Art in New York, the San Francisco Museum of Modern Art, the Montreal Museum of Decorative Arts, the Denver Art Museum and others. His publications include 'Bounds of Privacy', 'Japan Interior vol.1 - 4', 'Interior Design Uchida, Mitsuhashi, Nishioka & Studio 80 Vol. II', 'A City Stimulated by Architecture Hotel Il Palazzo' and 'Mojiko Hotel Aldo Rossi Shigeru Uchida'.

Alessandro Mendini Architect Born in milan in 1931. he was a partner in the nizzoli associati practi until 1970. he was a founding member of the school for individual creativity 'global tools'. alessandro mendini was editor in chief of several Italian magazines of architecture and design : from 1970 to 1976 'casabella', from 1977 to 1981 'modo' and 'domus' from 1979 to 1985. he was a (founder and) partner in the 'alchimia' studio. mendini cultivates a particular interest in neo-modern and contemporary design. he designs objects, furniture, interiors and installations. he collaborates with international companies such as alessi, philips, swarovski and swatch. he is the artistic consultant to various manufacturers - some in the far east - , providing direction for design- and brand identity strategies. besides his architecture and furniture design, mendini has organized a multitude of exhibits and seminars in italy and abroad. he has authored several books on design (paesaggio casalingo, architettura addio, il progetto infelice) and is on the advisory panel of the 'domus academy'. his critiques and essays appear in the chief international trade journals. alessandro mendini is an honorary member of the 'bezalel academy of arts and design' of jerusalem and has been awarded with the italian prize for design and architecture compasso d'oro. he holds an honorary title from the architectural league of new york as well as the title of 'chevalier des arts et des lettres' from the french republic. his work is represented in museums and private collections all over the world. with his brother francesco, he opened the 'atelier mendini' in milan, italy in 1989. within the atelier, he proceeded to take on such projects as a memorial tower for the seaport of hiroshima, japan; the groninger museum in the netherlands; the arosa casino in switzerland and other buildings in europe.

	Johanna Grawunder Interior designer Born in 1961, she has worke d in Italy with Sottsass Associati since 1985, and in 1989 became a partner. In addition to her design work with the firm, she works extensively on her own in interior and lighting design and collaborates with Salviati in Venice and Christofle of France. She was responsible for most of the firm’s major international architectural projects, including: the Wolf House in Colorado, the Olabuenaga house on Maui, the Nanon House in Belgium, 26 Pierce Road in Singapore, the Zhaoqing Golf Club and resort complex in China, and The Birdhouse (the Mourmans residence) at Lanaken in Belgium.
	Ross Lovegrove Industrial designer He was born in 1958 in Wales and completed his master of design at Royal College of Art, London in 1983. In the early 80's he worked as a designer for Frog Design in West Germany on projects such as walkmans for Sony, computers for Apple Computers. Later he moved to Paris as a consultant to Knoll International. He was invited to join the Atelier de Nimes along with Jean Nouvel and Phillipe Stark, consulting to - amongst others - Cacharel, Louis Vuitton, Hermes and Dupont. Returning to London in 1988 he has completed projects for many furniture, industrial, and product manufacturers. He is the winner of numerous international awards and his work has been published and exhibited internationally including the MOMA in New York, the Guggenheim Museum NY, Axis Centre in Japan, Pompidou Centre in Paris and the Design Museum in London.

Shunji Yamanaka Industrial designer 1982 B.Eng. (Mechanical Engineering), the University of Tokyo, Japan 1982-1987 Exterior Designer, Nissan Motor Co., Ltd. 1987 Freelance Industrial Designer 1991-1994 Associate Professor, the Faculty of Engineering, the University of Tokyo, Japan 1994 Founder, Leading Edge Design 1994- President, Leading Edge Design [Awards and Honors] INFINITI Q45: Good Design, MITI, Japan, 1989 Ecru: Selected in the Innovative Design in Germany, 1992 Tagtype: iF Product Design Award, Germany, 2001 [Affiliation] Regular Member, Japan Society for the Science of Design, Japan Board member, Japan Society of Mechanical Engineers, Japan Judging committee, Good Design Award, Japan Industrial Design Promotion Organization, Japan Board member, Human-Network Research Group, Ministry of Public Management, Home Affairs, Posts and Telecommunications, Japan

Q: Is the final day for submitting the works July 31 in Japan time?

A: Yes, if the works were sent to us from other parts of Japan. However, in case the works were sent from the countries other than Japan, this final day is extended by one day. Please be sure that the works be delivered to us before the final day indicated above. Even if the works should be delivered to us AFTER the final day owing to insufficient postal service, we shall not bear any responsibility for it.

Q: What is JPEG form?

A: It is one of the picture data formats which is suitable for dealing with photo pictures. In the case of Photoshop, please choose JPEG form when you preserve the file. In the case of Illustrator, please choose JPEG form when you write out the data.

Q: What is the color palette form?

A: Among the data which express colors, there are several forms such as RGB form, CYMK form, Index form and so on. RGB form is the one used in general paint-type picture softwares. CYMK form is the one in softwares related to printing.

Q: What is PC format?

A: When initializing of floppy disk using Macintosh plathome, you can choose either Apple format mode or PC format mode. When you initialize your floppy disk by PC format mode, the data inside the floppy disc can also be read and written by Windows plathome (although depending on the type of the data). However, those floppy disks initialized by Apple format mode cannot be read or written by Windows plathome. Our executive office uses both Windows and Macintosh plathome. Therefore, we would like to ask the applicants who use Macintosh plathome and plan to submit his or her data by means of floppy disks initialized by PC format. The easiest way is to purchase and use the floppy disks with either "Windows format" or "MS-DOS format" labeled on their packages.

更多資訊：

• OPUS DESIGN AWARD 2008
• OPUS DESIGN AWARD 2008 (Japanese)
  
• apply-sheet-en (pdf)