[商品設計]2015國立故宮博物院南部院區開館衍生商品設計競賽活動競賽(2015.07.20)

截止日期：2015.07.20

一、競賽宗旨：

國立故宮博物院南部院區定位為亞洲藝術文化博物館，博物館主體建築以中國水墨畫的濃墨、飛白與渲染三種技法，形成實量體的展示空間及文物庫房，虛量體的公共接待空間與穿透連接空間，象徵著中華、印度與波斯三股文化交織出悠遠流長多元的亞洲文明，契合「故宮南院－亞洲藝術文化博物館」定位。本活動目標重點為宣傳南部院區之開館試營運，藉由設計競賽，介紹故宮南院之開館首展文物、主體建築特色、園區景觀等，提升本院典藏文物知識之推廣交流與文創設計商品具質量之產出，並以教育推廣為目的，吸引設計人才投入亞洲藝術文化研究、創意生活及創意商品開發之列。

[插畫]一千零一夜，尋找下一個波隆那潛力新星(2015.07.20)

截止日期：2015.07.20

一、活動引言與介紹

小時候總是對未來有無限想像：
有著厲害的太空人、神秘等著我們去探險的奇妙洞穴、還有住在月球上的大象......
曾幾何時，忙碌的生活讓我們忘記，美麗童話有多奇幻、人的想像力有多無限。

致力於推廣插畫、繪圖工具、自在生活的博碩文化，與獎金獵人合作舉辦「一千零一夜」插畫大展，
現在，你可以將童年的想像用插畫紀錄下來，並有機會在民眾新聞網線上藝廊展出！

活動將分成兩階段進行，第一階段以投稿為主，參加者需提供獎金獵人作品集連結。
第二階段的投票比賽，主辦單位將選出101件優秀作品，在獎金獵人比賽平台投票與民眾新聞網線上藝廊虛擬展示，
最後綜合投票人氣度選出前四名。

[插畫]遠傳第四屆綠色輕功『插畫徵件』(2015.07.31)

截止日期：2015.07.31

一、活動宗旨
今年遠傳電信(主辦單位)特別增設插畫比賽項目，鼓勵插畫創作人才以綠色環保為主題，將自己對生活的觀察與想法，以插畫呈現並與讀者溝通，啟發大眾關心環保議題，並於生活中以行動落實環保。另外透過電子化的方式呈現，以減少紙張的使用，共同維護我們的地球，創造更美好的生活環境。

[插畫]第九屆Myfone行動創作獎-貼圖組(2015.07.14)

截止日期：2015.07.14

為 了搶救下一代的國文能力，並讓目前當紅的手機鈴聲有更多揮灑年輕創意的舞台，台灣大哥大基金會從貼近年輕人日常生活的工具 -- 手機和網路著手，2007年首創行動創作獎 -- 舉行「簡訊文學」和「原創歌曲鈴聲」比賽，而為了鼓勵用影像紀錄生活、闡述觀點，2012年增設「微電影」組，2014年因應IM通訊軟體興起，增設「原 創貼圖」組，友善的數位創作平台， 鼓勵更多文字和影音創作者隨時隨地盡情發表、分享。2015年以「心‧科技」為主軸，鼓勵全民讓科技隨心所欲，創意無所不能!

我們期待 ----
一支小巧輕便的手機，不僅是現代人的溝通「工具」， 更是深化現代人生活內涵與品質的「心靈」傳播者，行動創作獎，捕捉行動生活裡所思所感的吉光片羽，讓行動通訊不只是「科技便利」的代名詞，更是「傳遞愛與幸福」的美好媒介。

[海報設計]「插畫看臺北」特展學生創意海報設計競賽徵件(2012.06.30)

截止日期：2012.06.30

為鼓勵學生踴躍參與，吸引更多優秀作品投稿，臺北市政府觀光傳播局今（31）日表示，「插畫看臺北」特展舉辦學生創意海報設計競賽的徵件報名時間延長至101年6月30日24:00止，歡迎歡迎國內高中職、大專院校在學學生踴躍參加這項競賽。

[照片+插圖]就是愛秀「感動時刻」照片與插圖徵選比賽(2011.10.28)

截止日期：2011.10.28

「如果有一天我們不再感動，這世界將停止轉動。」

就是愛秀「感動時刻」照片與插圖徵選比賽 

[插畫]「改造藍光LOGO」創意插畫比賽(2011.10.14)

截止日期：2011.10.14

一、活動目的

想像力與創造力並非憑空得來，係在已知之上建構新知，產生令人驚喜的效果；本比賽將號召全國高中職創意高手，將創意無限延伸。

二、主題說明

[美展]99年高雄縣美術展－鳳邑美展(2010.08.15)

截止日期：2010.08.15

攝影師之眼

一、計畫目標：

鼓勵在地美術工作者研究、創作，倡導藝文風氣，推展全民美育，提昇藝術水準。

二、辦理單位：

• (1)指導單位：行政院文化建設委員會
• (2)主辦單位：高雄縣政府
• (3)承辦單位：高雄縣政府文化局
• (4)協辦單位：高雄縣議會、各大專院校美術相關系所、岡山鎮公所

[繪本]2010年第一屆個人風繪本文學獎(2010.09.30)

截止日期：2010.09.30

▇ 宗旨：

1. 獎勵本土個人風繪本文學創作。
2. 提昇國內文學的創作品質及欣賞水準。

水彩的光影表現

▇ 參賽資格：

限陳璐茜繪本創作師資班認證班成員

▇ 參賽作品內容與規格：

1. 主題／不限創作主題與閱讀對象，但作品本身須結構完整，且符合圖畫書的形式要件。
2. 文字／華文創作為主。
3. 文體／不拘。
4. 媒材／不拘，但不得採用電腦繪圖。
5. 規格／ 尺寸不拘， 限平面創作。全書內頁以 9~15 個跨頁為標準。

黑麵 美少女攝影技巧 (附光碟)+如何擺出好POSE

▇ 參選限制：

1. 限每人提供一本繪本創作參賽。 ( 初選毋需附原畫，進入決選者請提供原畫做為評審依據 )
2. 限提供 2009 年 10 月 1 日以後完成的繪本創作，且未在任何媒體發表過的作品。
3. 為求本徵文比賽之公平性，受邀本奬之評審委員，不得參加徵件。

▇ 繳件方式：

1. 送件期限／ 2010 年 9 月 1 日至 9 月 30 日(以郵戳為憑，逾期恕不受理)
2. 
   HP 5101 10吋專業達人靚品款送件方式／掛號郵寄。
   郵寄地點：台北縣新店市永安街 93~4 號 9F 　
   台灣繪本協會「 2010 個人風繪本文學獎評審委員會」 收
3. 請至台灣繪本協會網站下載報名表，填寫完畢後，將一本繪本樣書連同報名表一併密封包裝，包裝上請註明參加「 2010 年第一屆個人風繪本文學獎」，將報名 回執單黏貼其上。
4. 參賽作品本身請勿署名或附加任何可辨識作者的註記。

▇ 比賽獎勵：

• ＊ 首獎一名，獎金新台幣伍萬元及由台灣繪本協會核發的 獎狀乙張
• ＊ 貳獎一名，獎金新台幣叁萬元及由台灣繪本協會核發的 獎狀乙張
• ＊ 叁獎一名，獎金新台幣貳萬元及由台灣繪本協會核發的 獎狀乙張
• ＊ 佳作獎若干名，獎金新台幣伍仟元及由台灣繪本協會核發的 獎狀乙張
  
  依中華民國所得稅法規定，獎金超過新臺幣 20,000 元者，由本協會代扣 10% 所得稅。

延伸閱讀：

• via: 2010年第一屆個人風繪本文學獎 @ 台灣繪本協會

[插畫]南亞技術學院99年度動漫研習社 - 「Summer*夏」插畫比賽(2010.05.15)

截止日期：2010.05.15

Apple MacBook Pro 15.4吋 2.66GHz

創作主題：

夏天

收件時間：

99年04月08日起至05月15日止

實施規則： 

1. 主 題：作品主題10個字以內。 
2. 格 式：畫作為B4（36.4×25.7cm）彩色插畫1張，手繪或電腦繪圖不拘。
   如使用CG創作，須以圖檔磁片或光碟連同列印稿一併送往主辦單位。
   解析度須設定為350 dpi或以上，並註明所使用軟體及檔案格式。

Wacom Cintiq 21UX 互動式筆式液晶顯示器 (21吋)

收件方式： 

1. 參賽方式：參賽作品親送至課外指導組（位於經國樓2F） 
2. 請先親自索取報名表（附件一）或至本站下載
3. 參賽作品一律附上比賽報名表（附件一），未附上報名表或字跡不清、資料不全者，恕不受理。 

獎勵辦法： 

• 第一名：獎金3仟元整及獎狀一禎 
• 第二名：獎金2仟元整及獎狀一禎 
• 第三名：獎金1仟元整及獎狀一禎 
• 佳 作：獎金5佰元整及獎狀一禎

Wacom Intuos4 數位繪圖板(6 X 9)

評選方式： 

1. 全校師生皆為評審人員，以投票方式進行評選。 
2. 按參賽作品評選，若參賽作品不切主題者，恕不列入評選範圍內。 
3. 為保障並提高未來集冊出版之品質，評審將視參賽作品水準議定，必要時得以「從缺」。 

活動規則： 

1. 參賽作品必須為個人之創作，限未公開之全新作品，以未在任何展覽、書籍、網路等媒體，或以其他任何方式發表或出版者為限。
2. 參賽作品以每人2件為限，得獎作品前三名，不得為重複個人作品，佳作獎則不在此限。 
3. 
   OLYMPUS E-PL1+14-42(一機一鏡)公司貨作品一律以原稿參賽，所有參賽稿件不論得獎與否，均不予退件歸還，請自留副本。 
4. 參賽作品嚴禁盜用他人作品，違者經查證屬實取消參賽或得獎資格，得獎者追回已獲獎金及獎狀、獎品，其獎位不另遞補。其違反著作權法令部分由參賽者自行負責，與主辦單位無涉。 
5. 得獎名單將於99年05月28日後公布。 
6. 參賽者須填寫作品同意授權書（附件一），將得獎作品版權讓渡與主辦單位所有，主辦單位為推廣之用，可逕行使用於公開展覽、宣傳、發表、出版、連續刊登或印製相關印刷品等，不另給酬。 
7. 凡參加本比賽者，即視同遵守本比賽之各項規定，不得異議。本簡章如有未盡事宜，得經由主辦單位會議決議後實施，參賽者不得異議。
8. 依參加人數決定佳作入選名額，若人數不足則取消佳作入選。

主辦單位：

南亞技術學院 動漫研習社 

指導單位：

南亞技術學院 課外活動組

報名表於4月7日晚上釋出。

延伸閱讀：

• via: 「Summer*夏」插畫比賽 @ 可可與薄荷
• 南亞技術學院99年度動漫研習社 - 「Summer*夏」插畫比賽 (DOC)

[繪畫]2010金車仲夏插畫祭 - 奇幻旅行繪本比賽(2010.07.19)

截止日期：2010.07.19

Wacom Cintiq 21UX 互動式筆式液晶顯示器 (21吋)

一、目的：

為鼓勵青年發揮天馬行空之創造力與想像力，推廣藝術生活化與創意實體化之構想概念，增進年輕朋友們對繪本與生態環境的的關懷與認同，特舉辦本項活動。

二、主辦單位：

金車教育基金會

三、徵件主題：

以旅行為發想主軸

四、徵選作品：

充滿自然關懷與人文創意的故事繪本

Wacom Intuos4 數位繪圖板(6 X 9)

五、參賽資格：

不限資格之創作者皆可報名參加

六、收件日期：

收件日期－中華民國99年6月1日起至7月19日止。

收件地點－臺北市中山區南京東路二段一號三樓

2010金車仲夏插畫祭小組 收(親送或郵寄皆可)

繳件請填妥附上專用報名表，報名表請上金車教育基金會網站下載。  

七、繪本規格：

主題：以旅行為奇幻故事發想主軸，故事架構需完整。

內文：以中文創作(請以正楷書寫)

媒材：限手繪、媒材不限之平面創作 

Apple MacBook Pro 15.4吋 2.66GHz

頁數：含封面封底共16頁。

尺寸：尺寸不拘，惟單頁大小不可超過B4

原稿請以描圖紙覆蓋保護，並將內文寫於描圖紙上，如非為特殊效果，勿直接寫於原稿上。(註)

八、評選方式：

邀集五位藝術、文學界老師進行評審作業

九、頒獎日期：

比賽結果預計於八月公佈，頒獎時程另行通知。

十、得獎作品：

所有得獎作品將於「金車文藝中心-藝術空間」進行「2010金車仲夏插畫祭－奇幻旅行繪本展」展覽，本會將另擇優秀作品將印製成實體繪本，以用於公益義賣。

【莎薇】好愛現要你好看B-C罩杯內衣(粉紅色)

十一、獎項：

首獎/獎金五萬元整及獎座乙座

優選五名/獎金各一萬元整及獎狀乙紙

(若經本會挑選製成實體繪本，每版另支付創作者3萬元版稅)

十二、參賽作品類別及規格：

(ㄧ) 作品故事與繪圖以原創為主，各類不得抄襲臨摹。

(二) 每人以參加一件為限，作品需未經任何媒體形式發表。

(三)作品限以平面手繪為主，創作素材不拘。

(四) 原稿請以描圖紙覆蓋，並將內文寫於描圖紙上，除非特別需要，否所有印刷字體請勿直接寫於原稿上，每件作品需另付200字左右之創作理念及故事大綱，此項亦列入評分項目。

(五) 為確保比賽之公平性，參賽作品郵寄收件以郵戳日期時間為收件截止標準。經查如不符則取消參賽資格，如得獎亦取消得獎資格。

(六)作品請創作者視情況自行加工保護以利評分及展覽。

(七) 得獎者須配合金車文藝中心「2010金車仲夏插畫祭－奇幻旅行繪本展」展出之相關事宜，經本會挑選者亦需配合印製繪本之必要事宜，如無法配合者將取消優選資格。

OLYMPUS E-PL1+14-42(一機一鏡)公司貨

(八) 以上所敘之事項，為維護比賽公平性之基準，不符合本實施要點內所載之任何規定者，如得獎亦取消得獎資格。

十三、注意事項： 

(ㄧ) 如需上網查詢本實施要點，本辦法刊載於金車教育基金會官方網站。

(二) 參賽作品應為參賽者個人之創作，如經檢舉為臨摹、抄襲之作品，不予評選。本會受理作品檢舉期限為：當年度成績公佈之日起一年內有效。

(三) 得獎作品原始稿應適於印刷用。

(四) 作品媒材、格式，未按規定者，經查證屬實，該件作品取消得獎資格。

(五) 本會對於得獎之作品，有印製作成相關印刷品之優先選擇權與公益義賣之販售權。 

(六) 凡報名參賽即視同無條件同意授權本會拍製本比賽之紀錄及宣傳品。

(七) 洽詢專線：金車文藝中心　02-2562-8629

延伸閱讀：

• 2010金車仲夏插畫祭 - 奇幻旅行繪本 比賽辦法 (DOC)

[影像]EPSON 2009百萬影像大賞(09.09.30)

截止日期：2009.09.30

[作品募集]
照片、平面設計、插畫、圖像、藝術文字、印刷藝術、CG等各種不限種類的數位作品。

評選獎項及辦法
評選獎項
‧大賞：獎金200萬日圓 及 Epson產品(1名)
‧優秀獎：獎金50萬日圓 及 Epson產品(3名)
‧審查員獎：獎金30萬日圓(6名)
‧潛力新人獎(註)：獎金10萬日圓(6名)
‧入圍獎：獎金3萬日圓(10名)
‧佳作：精美紀念品(30名)
‧海外參賽特別獎：精美紀念品(3名)
(註)：潛力新人獎將頒發給低於22歲青年參賽者之優秀作品(1987年9月30日之後出生之參賽者)。

關於獎品
獎品不得替代或轉讓，但主辦或協辦單位得用具有同樣或更高價值的獎品替代。相關所得稅與其他稅項，一概由得獎人負責。主辦或協辦單位將提供相關稅務單位任何與獎品有關的所須報稅表格。

評選辦法
‧主辦單位聘請台灣攝影藝術名家擔任評審委員以示公正
‧台灣賽區評選出前三名，再將前三名代表作品寄至日本參加亞太區百萬大賞競賽

報名資訊與活動細則

收件條件
一.參賽作品限於未發表，且未投稿於其他比賽的作品。(在參賽者本人的網頁或部落格上所刊登的作品不在此限)
二.作品限以印表機列印。
三.個人或是團體均可投稿。
四.單張照片或組合照片均可。
五.不限投稿尺寸。 (請於作品背面註明上方及下方即可)
六.不限制投稿作品數。
七.不限制使用攝影器材的製造商和機種。
八.不需裱框或貼於圖板上。
九.郵寄或宅配寄送均可。
十.主辦單位不負責運送中的意外及破損等相關責任。寄送時請以耐撞擊之包裝(外側用厚紙箱等強度高的包裝，內部放防止震晃的材料)。
十一.使用於作品中的著作或肖像，需為投稿者本人製作、攝影，並擁有其著作權，或事先取得著作權權利者的使用許可。
十二.參賽者在報名時即視同同意投稿規則。此外，若主辦單位判斷有違反著作權或其他規定等情事，主辦單位可取消投稿和得獎，並可請求退還獎金。
十三.關於投稿作品的著作權，若發生來自第三者的異議申告及控訴，主辦單位不負擔一切責任，包含費用負擔等均全由投稿者負責。
十四.所有參賽作品收件後為主辦單位所有，未得獎之作品在評審結果公佈後二週至二個月內可自行取回，二個月後未取回則主辦單位不負保管責任。
十五.評審結果預計將於2009年12月中旬公告於Epson網站。

報名辦法
一.作品請務必附上填寫完整的參賽報名表(可影印)
二.每一組作品需要一張報名單。
三.報名表需置入信封內或妥善包裹於紙箱中，連同參賽作品一同寄到「Epson百萬影像大賞暨台灣尊榮賞」活動小組。

截稿時間
請於2009年9月30日23：59前寄至「Epson百萬影像大賞暨台灣尊榮賞」活動小組收，以郵戳為憑。

得獎者及得獎作品公告
得獎名單及其得獎作品將於2009年12月中旬公告於Epson網站。

頒獎典禮與得獎作品展覽
頒獎典禮日期另行通知。得獎作品將於本次比賽頒獎典禮會場及展覽、活動、網站及相關出版品中介紹展出，某些作品可能會要求作品再次輸出。另外，得獎作品將會被使用在本比賽相關的廣告宣傳物及Epson集團各公司所製作的出版品、目錄、網頁、新聞稿等用途。

個人資料使用
參賽者申請表上面的個人資料，主辦單位將妥善管理，原則上不會提供給第三者，參與本活動的同時，參賽者同意主辦單位使用申請表上的個人資料，作為以下用途：(i)與參賽作品出版及活動宣傳相關事宜，不須經過複查、通知與同意；(ii)提供與本活動相關及未來百萬影像大賞比賽活動訊息。得獎者需要於收到通知的14天內簽署並繳回合法同意書、授權書、勞務報酬單及廣告宣傳同意書，否則將喪失得獎資格並依序由次獎項得獎者遞補。獎項公佈後主辦單位將會公開得獎者姓名、生日與職業等資訊，敬請各參賽者在充分理解的前提下報名參賽。

關於智慧財產權
參賽者同意遵守比賽規定，並接受評審的評選決定。參賽或領獎即表示同意主辦與協辦單位具有非專屬、永久之權利，得以包括但不限於使用、複製、發行或公開展示參賽作品，目的不拘，且媒介包括目前既有或未來發展而出的所有媒體，不須進一步對參賽者補償。上述權利包括將參賽者的參賽作品公佈於網站之權利。
一.參賽者同意無條件授權提供本參賽作品及其相關智慧財產權予主辦單位，供主辦單位擁有與使用於各項包括但不限於公開展示、展覽、宣傳、型錄製作、網站瀏覽等之用途。
二.參賽者同意，主辦單位可重製參賽之參賽作品，作為主辦單位推廣、公開展覽展示、宣傳、頒獎典禮、產品型錄製作、網站露出、記者會等及再授權等各項營利或非營利目的之使用用途，不需另行通知參賽者。
三.參賽者同意將因參加本競賽活動所產生參賽作品之智慧財產權授予主辦單位使用。如有第三人對該作品之智慧財產權有任何疑義，參賽者必須給予主辦單位充分必要之協助；若有第三人對該參賽作品內容之權利發生爭執，或因此疑義致使主辦單位造成損失，參賽者應行負責，一切概與主辦單位無涉。
四.主辦單位得使用本活動參賽作品於包括產品型錄、產品列印sample、測試產品列印之廣告稿、宣傳活動或是記者會等，又主辦單位使用該參賽作品得自行重製、製作成主辦單位所需之宣傳物件型式內容。
五.主辦單位同意於本活動辦法規範範圍內使用參賽者提供之公開資訊、內容、圖片。參賽者於本活動提供與主辦單位之參賽作品，不得有再次授權、買賣或移轉予第三人之處分行為，亦不得有任何侵害主辦單位權利之行為。
六.由主辦單位利用參賽作品重新製作完成之廣告稿、消息稿、廣告貼圖、DM或網站資訊等等，則由主辦單位為所有權人並享有製作物之智慧財產權，非經主辦單位事前書面同意，不得任意使用或轉載。
七.其他相關於本競賽活動所產生之智慧財產權規範事項，若有超出與本活動辦法上述內容之情事，以本活動辦法所述範圍為限。凡任何介於參賽者與主辦單位間所有智慧財產權歸屬相關事項，若與本活動辦法上述內容相抵觸時，以此活動辦法所述內容為準。

其他注意事項
主辦與協辦單位若合理懷疑或認為，參賽者以任何形式干預參賽過程或頒獎機制，或違反比賽規定，得以自行保留取消參賽者的資格。參賽者若企圖以任何方式詐欺或干預比賽，將喪失得獎資格。主辦與協辦單位若判斷有非其能控制之因素，破壞比賽安全、行政、公正或運作，亦保留取消、中止或暫停整個或部分比賽的權利。參賽者若因參賽或接受比賽相關資料，而導致電腦、電腦周邊或其他電子設備的損害，或任何有關比賽而產生之損害，主辦與協辦單位概不負責。對於遺失、遲交、不全或投遞錯誤的參賽作品，主辦與協辦單位概不負責。所有適用法律均適用於本比賽。無論是否與其他規定所抵觸，本比賽規定適用於中華民國法律。任何因比賽規定與比賽所產生之爭議，參賽者同意由台北地方法院為管轄法院。

退件處理
一.未得獎之作品在評審結果公佈後二週至二個月內可自行取回，二個月後未取回則主辦單位不負保管責任。
二.作品取回，須為參賽者本人持身分證明文件簽章辦理
三.若非參賽者本人親領，須持參賽者委託書及領取人身分證明文件簽章辦理。委託書範本下載
四.退件取回地址：台北市內湖區洲子街46號5樓「Epson百萬影像大賞暨台灣尊榮賞」活動小組
五.領取期限：評審結束二週後至二個月內

更多資訊：

• EPSON 2009百萬影像大賞暨台灣尊榮賞

[Illustration]American Illustration Call for Entries (09.02.20)

截止日期：2009.02.20

American Illustration offers an expansive view of this ever changing field, with images that redefine the most intriguing medium for the communication arts. With hundreds of images selected by an outstanding jury from thousands of entries, American Illustration lives up to its reputation as the best resource for cutting-edge talent that’s always on the mark - and the most intriguing gallery in print.

American Illustration offers a who’s who in illustration with images by Istvan Baynai, Benoit, Seymour Chwast. Marcel Dzama, Vivienne Flesher, Nathan Fox, John Hersey, Brad Holland, Anita Kunz, Christoph Niemann, Christian Northeast, Chris Ware, to name a few. Work by today’s masters is interspersed with pictures by students and up-and-comers just beginning to make a name for themselves. This year’s cover presents the work of recent Pratt University graduate, and Berkeley CA artist Evah Fan.

For more than a quarter-century, top creative directors have reached for this book for inspiration and when assigning the finest illustrators in the business. From established artists to students, American Illustration has presented the images that define our time. Over the years every notable illustrator has been celebrated in these pages, from Sue Coe, Milton Glaser, Al Hirschfeld, and Andy Warhol, to Gary Baseman, The Clayton Brothers, Maira Kalman and Mark Ryden.

To have your image chosen for the hardback edition of this annual, enter the contest! Deadline is 20 February 2009.

更多資訊：

• AI-AP

[Design]European Design Awards(09.02.14)

截止日期：2009.02.14

Submissions for The European Design Awards 2009 is now open and will close on February 14th. Submission fees, including volume discount, will remain the same as in 2008. A few new categories have been added upon request from last year’s participants (There are 30 award categories, divided into seven groups, and two overall prizes).

• Compare your work with the best designers in Europe.
• Promote your work in the pan-European market.
• Gain recognition in the graphic community and among design buyers.
• The winners and finalists will be featured in an outstanding and comprehensive annual design publication, as well as on the ED-Awards web site.
• The awards will be covered with extensive articles in the most influential design (print and digital) media throughout Europe

---

ED-Awards 2009
Submissions for The European Design Awards 2009 is now open and will close on February 14th. Submission fees, including volume discount, will remain the same as in 2008. A few new categories have been added upon request from last year's participants. Sign up for our newsletter if you want to be updated via e-mail.

更多資訊：

• EDAwards

[插畫]Nike 原生插畫創意募集(09.02.21)

截止日期：2009.02.21

Nike 原生插畫創意募集

強力募集Pure Nike 原生插畫創作
廣邀各路人馬展現原創力，參加人氣投票也有機會獲得當季最IN商品。

徵稿時間：2009/1/21-2/21 3:00 pm
作品評選：2009/2/24-2/28

作品創作形式：
作品創作方式不限 ，舉凡攝影、手繪、電繪、複合媒材皆可，以能表現創意與Pure Nike精神結合之稿件為主

活動獎項：
最佳創意TOP FIVE：商品 Cortez Engune與其他Nike Sportswear當季產品，市價約20,000
獲選作品將同時收錄於Nike Sportswear網站與其他宣傳使用

更多資訊：

• Nike NSW 原生插畫創意募集
• 創作素材下載 (ZIP)

[DESIGN]TITAN . ILLUSTRATION IN DESIGN(09.01.23)

截止日期：2009.01.23

The TITAN Illustration in Design Competition launches its 1st call for entries aimed at design companies in all sectors of business, freelance designers, illustrators as well as local or private organisations. TITAN is an award and a quality label with exhibitions in Portugal and abroad, as well as international conferences. In this first edition TITAN highlights and rewards a selection of the best work resulting from the collaboration between clients, designers and illustrators.

Categories

Read
Book Covers and Entire Books

Imagine
Comics and Cartoons

Inform
Newspapers, Magazines & Journals

Celebrate
Posters and Billboards

Surf
Screen Based Work

Promote
Annual Reports, Brochures, Flyers, Advertisements

Send
Stamps, Greeting Cards, Invitations and Stationary

Listen
Music Covers

Rules

Introduction
TITAN Illustration in Design – International Competition is promoted by ESAD Escola Superior de Artes e Design, Câmara Municipal de Matosinhos and APDL Administração dos Portos do Douro e Leixões.
The competition aims to award, promote and divulge illustration within design objects. To engage critical discussions on the role of illustration in design projects through lectures, exhibitions and publications.

General information
The TITAN Illustration in Design Competition launches its 1st call for entries aimed at design companies in all sectors of business, freelance designers, illustrators as well as local or private organisations.
TITAN is an award and a quality label with exhibitions in Portugal and abroad, as well as international conferences. In this first edition TITAN highlights and rewards a selection of the best work resulting from the collaboration between clients, designers and illustrators.
The TITAN welcomes illustrators and designers from all sectors of industry to exhibit their most recent and innovative creations. The products selected by the jury are awarded the "TITAN" label and proceed to form part of a number of exhibitions in Portugal and abroad.
The awards of TITAN are defined by an independent jury of professionals and experts to the most outstanding illustrations.

Call for entries
May 27th, 2008/ January 23rd, 2009

Jury’s selection
February 2009

Results, Awards ceremony and Exhibition
April/ May 2009

Eligible Entries
Illustration authors in published work within the past five years can enter the competition.

Jury
The jury is composed of international renowned specialists in several fields, from several nationalities. The jury has the final decision in any error or omission in this regulation.

Main prize
€ 8.000,00

Prize for each category
€ 2.500,00

The international jury may award an additional special prize, in the form of a certificate, if it is considered appropriate. Only the awarded submitters will be notified and the winner of the main prize will be invited to the exhibition and awards ceremony with the costs supported by the organization.

Exhibition
There will be a promotional event of TITAN Illustration in Design integrating an exhibition with the selected artworks and with the publication of a catalogue.

Conditions
In collective artwork all authors must be identified in the entry form.
An incomplete entry form will be considered grounds for exclusion from the competition.
The shipping charges of the artwork sent, as well as the custom fees are chargeable to the addresser. The organization reserves the right to refuse any artworks sent in with a custom payment due. To avoid any custom fees, artworks should be declared as “material for contest entry, no commercial value”.
The organization declines any responsibility in case of loss or damage of the artworks in transit.
The material will not be returned and becomes property of ESAD Escola Superior de Artes e Design and Câmara Municipal de Matosinhos.

Any person taking part in Titan implicitly agrees with its regulation. While the authors remain the sole owners of their artwork, they acknowledge the non-exclusive right of Câmara Municipal de Matosinhos and ESAD of:

• reproduction of their artwork in the exhibition, catalogue, posters, leaflet, DVD, internet and all media of promotion of TITAN Illustration in Design;
• digitalisation, reproduction, exhibition and communication to the public of the artwork and its dissemination for promotional, scientific and/or educational purposes on all media.

The organization commits to notify on each medium the prohibition for any person or legal entity to reproduce, perform and/or communicate to the public the artwork without the authorization of the artist, as well as the legal sanctions applied to the infraction.
The name of the author shall be credited on each medium reproducing the artwork.
The author expressly authorizes, free of charge, reproduction of the artwork’s photographs and of the author’s biography.
The use of the artworks lies within the scope of the promotion of the cultural activities of Titan. The author expressly agrees to abandon any and all remuneration related to the present activities.

Prizes

Main prize
8.000,00 EUR

Prize for each category
2.500,00 EUR

The international jury may award an additional special prize, in the form of a certificate, if it is considered appropriate.

Only the awarded submitters will be notified and the winner of the main prize will be invited to the exhibition and awards ceremony with the costs supported by the organization

Jury

Adrian Shaughnessy. UK
Andrew Howard. UK
Heitor Alvelos. PT
Jessica Helfand. US
Paula Scher. US
Pep Montserrat. ES

Adrian Shaughnessy
Adrian Shaughnessy is a self-taught graphic designer. He was creative director and co-founder of Intro, the London-based graphic design company. In 2004 he left to pursue an interest in writing and consultancy. He is currently consultant creative director of This is Real Art, the design and advertising company. Shaughnessy has written three books on design for music (the Sampler series) and edited a book of Intro work (Display Copy Only). His book How to be a Graphic Designer Without Losing Your Soul has sold extensively around the world. He is currently working on a follow-up, entitled A User’s Manual: the A-Z of Graphic Design, to be published in 2008. He writes for many of the leading design publications including Eye, Creative Review and Grafik. He has a monthly column in Design Week, and is a guest contributor to Design Observer. He also writes for The Wire. Shaughnessy is editor of a new magazine called Varoom – the journal of illustration and the made image. He has been interviewed on TV on five occasions, and lectures extensively around the world.

Andrew Howard
Andrew Howard is a self-taught graphic designer and divides his professional time between running his studio, teaching, curating exhibitions and conferences and nurturing ambitions to write more often. Having originally studied Fine Art, he began working as a freelance designer in London in the 1980’s for NGO’s, local government and health authorities. In 1993 he moved to Portugal where he established and continues to run a design studio specialising in work for museums and cultural and educational institutions. At the same time he also began teaching at the ESAD Escola Superior de Artes e Design where he developed the schools typographic programme. Although not teaching at present, he is still involved in college activity as coordinator of the Personal Views project. In 2005 he was invited by the Serralves Foundation to curate and design a two-year series of communication design exhibitions. The series, entitled Idioms, explores the day-to-day world of graphic design by looking at the visual languages and forms that designers use, and the impact these have on the messages they create. The first exhibition which took place in January 2006 was entitled 175X120 and looked at Portuguese street posters; Read Before Using, (June 2006) explores the world of visual instructions, and Alphabet, (February 2007) celebrates the graphic code we know as letters. The forth exhibition in the series (May 2007) is entitled Chamadas Fotográficas: Imagens do quotidiano (Photographic Calls: Images of the everyday) and explores mobile phone photography. He has won various international design awards, was president of the Clube Criativo de Portugal design jury in 2003, and jury member on various other design competitions. His writing on design has been published in Eye, the International Review of Graphic Design, and in the Canadian magazine Adbusters. His writing has also been included in the anthologies, Looking Closer, Critical Writings on Graphic Design, issues 2 & 4 (Allworth Press, New York, 1997 & 2002). In 1986 he also collaborated in the authorship and production of Culture and Democracy, The Manifesto (Comedia Publishing Group, London, 1986). He is currently compiling and editing a book of essays to be published as a result of the Personal Views project.

Heitor Alvelos
Born Viseu, Portugal, 1966. Doctor of Philosophy in Communication Art and Design (Royal College of Art, London, 2003). Master of Fine Arts in Visual Communication (School of the Art Institute of Chicago, 1992). Professor and Researcher in Design and Cultural Criminology, with papers presented internationally since 2001 and research work published since 2003. Head of Communication Design at the University of Porto, Course Director of BA and MA Design and Multimedia Programmes. Visiting Tutor at the Drawing Studio of the Royal College of Art. Member of the Editorial Board of Crime Media Culture (Sage Pub.). Member of the General Council of the Gomes Teixeira Foundation, University of Porto. Design and Intermedia Arts: Exhibits internationally since 1989. Regular collaborator of the UK media label Touch in Design, Photography and visual work for live events (Biosphere, Fennesz, BJNilsen, among others). Works under the alias Autodigest in the production of conceptual sound pieces, released on CD by Ash International (UK), the Gulbenkian Foundation (UK) and Crónica (Portugal). Performs regularly in international events. Curator of Design exhibitions and conferences since 2002.

Jessica Helfand
Jessica Helfand is partner with William Drenttel in Jessica Helfand | William Drenttel, a design consultancy in New York that concentrates on editorial design and the development of new models for old and new media. Clients include Newsweek, Business Week, Lingua Franca, America OnLine and Champion International Corporation. Helfand is also media columnist for Eye magazine and a contributing editor of I.D. Her book, Six (+2) Essays on Design and New Media was published in 1995 by William Drenttel New York. She is visiting lecturer in graphic design at Yale University School of Art and adjunct professor at New York University’s graduate program in Interactive Telecommunications, and has lectured at The Cooper-Hewitt National Design Museum, the Columbia University School of Jounalism and the Netherlands Design Institute, among others. She holds a B.A. and a M.F.A. in graphic design from Yale University.

Paula Scher
Paula Scher studied at the Tyler School of Art in Philadelphia and began her graphic design career as a record cover art director at both Atlantic and CBS Records in the 1970s. In 1984 she co-founded Koppel & Scher, and in 1991 she joined Pentagram as a partner.
Paula has developed identity and branding systems, promotional materials, environmental graphics, packaging and publication designs for a wide range of clients. Drawing from what Tom Wolfe has called the “big closet” of art and design history, classic and pop iconography, literature, music and film, Paula creates images that speak to contemporary audiences with emotional impact and appeal. Three decades into her career, these images have come to be visually identified with the cultural life of New York City.
Paula is a member of the Art Directors Club Hall of Fame and a past recipient of the Chrysler Award for Innovation in Design. She has served on the national board of the American Institute of Graphic Arts (AIGA), and in 2001 she was awarded the profession’s highest honor, the AIGA Medal, in recognition of her distinguished achievements and contributions to the field. She holds an honorary doctorate from the Corcoran College of Art and Design, and she is a member of the Alliance Graphique Internationale (AGI). She currently serves on the board of directors of The Public Theater, and in 2006 she was named to the Art Commission of the City of New York.
Her work has been exhibited all over the world and is represented in the permanent collections of the Museum of Modern Art and the Cooper-Hewitt National Design Museum in New York, the Library of Congress in Washington, D.C., the Denver Art Museum, the Museum für Gestaltung Zürich, and the Bibliothèque nationale de France and the Centre Georges Pompidou in Paris. Her teaching career includes over two decades at the School of Visual Arts, along with positions at the Cooper Union, Yale University and the Tyler School of Art. In 2002 Princeton Architectural Press published her career monograph Make It Bigger.

Pep Montserrat
I started illustrating brochures and children books and magazines while finishing my Arts course at Llotja Art School in Barcelona, in 1988.After this, I also studied Graphis Design in Eina School, in Barcelona also.From tose days, I’ve been illustrating a lot of children books, some of them distinguished with awards like the Nacional del Ministerio de Cultura (1995), Internacional Catalònia (1997), the Generalitat de Catalunya Award (1998) or to be included on the IBBY’s Honour List (1998). I have published bokks in many european countries, as well that in the United States of America, Brasil, Corea…As a Press illustrator, I’ve published or I’m still publishing regularly on the newspapers Avui, La Vanguardia and El País, in Spain, and The Chicago Tribune on the States. I’ve also published with The New York Times, The Wall Street Journal, The Boston Globe… as well as with many spanish and american magazines, like Woman, Quéleer, Cuerpomente o Ser Padres in Spain and The New Yorker o Travel&Leisure among others, in the States.I’ve created with the catalan writer Montse Ganges, a televisión series wich is called ’Miniman’, produced by Cromosoma, I was the Art Director of the catalan publisher Edicions de la Magrana from 1995 to 2001.From 1998 I teach illustration in La Massana Arts School, in Barcelona.

Calendar

Call for entries
27th May 2008 / 23rd January 2009

Jury’s selection
February 2009

Results divulgation
Awards ceremony and Exhibition
April / May 2009

更多資訊：

• TITAN . ILLUSTRATION IN DESIGN

[Illustration]Tate Publishing Illustration Competition(09.01.)

截止日期：2009.01.31

CALL FOR ENTRIES

Deadline: January 31, 2009

Enter the exciting digital exhibition for creativity in illustration—the 1st annual Tate Publishing National Illustration Competition. Selected by distinguished designers, art directors and illustrators, the winning entries will be published in thEntrye 2009 Tate Illustration Catalog.

What to Enter
Any illustration first printed or produced between January 1, 2008 and January 31, 2009 is eligible.
Explanation of the piece is very important to the judges. Submission of entries acknowledges the right of Tate Publishing to use them for publication and exhibition.

Illustration Competition Categories/Fees
These categories are judged by the illustration jury and will appear in the 2009 Tate Illustration Catalog.
Each participant may submit up to three entries in either category.
Single Illustration: $10 per entry
Unpublished Book: $15 per book entry

Entry Requirements
All entrants must be currently enrolled (proof of enrollment may be required) in an undergraduate or
high school program studying design or art.
Areas of study: Illustration, Children’s Books, Graphic Design, Art Location: This year we are including submissions from students in the United States only. All payments will be awarded in US dollars.

Awards and Scholarships
Single Illustration

• ‧1st place: $ 1000
• ‧2nd place: $ 500
• ‧3rd place: $ 250
• ‧Honorable Mention: $ 100

Unpublished Book

• ‧Offered contract for publication with Tate Publishing

How to Enter
All entries must be digital files on compact discs.
Single Illustration Entry: RGB (not CMYK) JPG format with a minimum width of 1500 pixels and a minimum height of 1200 pixels (300dpi). Digital files will be projected for the judges.

Unpublished Book Entry: Unpublished books may be submitted by a single PDF file or by separate JPG files named in sequential order (for example: 1.jpg, 2.jpg, 3.jpg...). Images should be RGB files at 72 dpi.
(Winning entry will be required to resubmit text and illustrations separately at a 300 dpi resolution.)
No entries will be returned. No exceptions. Tate Publishing is not responsible for damage or loss of any entry. All entrants grant Tate Publishing the right to reproduce works selected in the 2009 Tate Publishing National Illustration Competition and in materials used to promote the catalog and/or future related promotions.

Preparation of Packages
‧CD: Send entries on compact disc only.
‧ Registration Form: Tape an entry form to the outside of each disc case. Multiple digital files may be placed on a single disc. Please tape all applicable entry forms one on top of the other so we can flip through them to verify the contents of the disc.
‧Entry Fee: Checks only. Make checks payable to Tate Publishing. Please include the check with your entry.

Mail entries to:
2009 Tate Publishing National Illustration Competition
Tate Publishing & Enterprises
127 E. Trade Center Terrace
Mustang, OK 73064-4421
(Via United States Mail, FedEx, UPS, etc.)

Notification of Acceptance
Only accepted entries will be notified on or before February 18, 2009. Complete credits and any additional material necessary for reproduction will be requested at that time. No additional fees are required. Award of Excellence certificates for accepted works will be mailed in March 2009. Accepted works will be contacted by Tate Publishing.

Questions
If you have any other questions, you may email: illustrations@tatepublishing.com

更多資訊：

• Tate Publishing Illustration Competition
• Rules (PDF)

[繪畫]TITAN . ILLUSTRATION IN (09.01.23)

截止日期：2009.01.23

About Titan
Every competition has its own particular characteristics, its own thematic orientation and, over time, develops its own tradition and reputation. TITAN in contrast is new, launched for the first time this year but with no lesser degree of ambition than to carve out its own particular identity.

The original impetus for the competition comes from the Superior School of Art and Design (ESAD) and the fact of being a design school has orientated the kind of search that the competition represents. At the core of the schools’ philosophy is a belief in design as a social tool, with all the cultural resonance that this implies. Moreover, we understand that in order to be an effective tool design must also be a process; of thinking, of collaborating and often of imagining, in short, a process that turns ideas into actions, concepts into reality. We strive to encourage a practice that is capable of generating a physical and visual world which expresses our society’s deepest needs and desires.

It is for these reasons that our attention is drawn to the ways in which the special skills of image making - drawing upon unique interpretation and vision - combine with other graphic and visual languages to create narratives and identities. Thus TITAN is concerned, not simply with illustration as a self contained practice but with the fusion of illustration and design.

We thought long and hard about the categories that would best encompass our objectives. Our belief in the promotion of a vibrant design culture, applied in social practice, led us to create categories which gravitate around notions of doing rather than a more conventional list of form-based areas. Needless to say, although forms of categorization may influence our perceptions - which is a good thing in itself - the search always returns to ideas expressed through the taking of form. Regardless of categories therefore, our most profound concern is to attract work of excellence that reflects the diverse and ever expanding domain of contemporary image making. That such excellence exists we have no doubt. Through TITAN we aim to celebrate it and its authors and most importantly, to take it to a larger public.

ESAD

Established in 1989, ESAD - Escola Superior de Artes e Design de Matosinhos is a private college, which gradually has won its space as a reference of quality in education, research and dynamization level in the field of arts and design.

ESAD confers graduations, perfectly adequate to Bologne directives in areas of Design – with specialization in Communication, Product, Interiors and Fashion – and Arts – with specialization in Jewelry, Digital Arts and Multimedia, teaching together with Faculdade de Engenharia da Universidade do Porto, since 2000, a PhD course in Industrial Design.

Investing in quality education, ESAD reflects, however, the conscience that schools, beside institutions conferred of academic degrees should assume themselves as education institutions in the true meaning of the word, as communicating platforms between civil community, industry and market. Reflecting that spirit, ESAD develops an activity open to community – it’s clear by the large number of people external to school that go to the events organized by ESAD – attentive to synergy exploration which result from the development of projects in partnership with other institutions, from the nearest ones, such as Câmara Municipal de Matosinhos or the Museu de Serralves to the furthest ones, such as Schools in Poland or Estonia with which ESAD has cooperation and exchange programs.

The recognition of the national and international level quality of work developed by the ESAD results in three main factors:

• In first place, the quality of education ministered in ESAD. This quality translates a permanent care in update study plans; a strict selection of the teaching staff; an adequate equipment of means, which assures the quality of education in areas where the technological component is essential. From this results, the education of professionals extremely qualified, suitable to respond to the companies’ needs and to create their own companies; suitable to develop projectual work and to develop research work; also suitable to respond to the education needs in areas in which they graduated.The quality of education reflects itself in awards received by students of ESAD (such as the recent first award in the competition Bombay Saphire) and in the success in which ESAD ex students continued a professional career in national and international success companies, such as, Drop, DSType, Boca do Lobo ou the north-american IDEO.
  
  
• In second place, the intense extracurricular activity developed in ESAD. The workshops, conferences and exhibitions which ESAD organizes, mark, without a doubt, the artistic and projectual culture in Portugal. The cycle of conferences Personal Views, coordinated by Andrew Howard, is an event of important international prestige, which has brought in the last three years the most important names of worldwide communication design, such as Neville Brody, Eric Spikerman, Ellen Lupton, Jon Wozencroft, Steven Heller, Katherine McCoy and others of a long list. Other important conferences brought other influential names, between Portuguese designers (Siza Vieira, Henrique Cayatte, Nuno Portas, Paulo Cunha e Silva, etc.) and foreigner designers (Paolo Deganello, Art Chantry, Enzo Mari, etc.). At last, is important to say that dynamic work that the school develops at editorial level, participation in events (such as the recent Lisbon Village Festival) and organization of exhibitions (on 16th August inaugurates in Tuy, Galiza, in the scope of Bienal de Cerveira, the exhibition “Mediações” dedicated to digital arts, organized by ESAD).
  
  
• In third place, the research projects. ESAD defends an active partnership politic with national and international industrial companies. Inside these companies, cooperation with VOLVO in the production of a cabin for a truck and a project with the presence of Mauricio Vogliazzo e Lecio Guardini were pointed out. Other partnerships were made with Philips and more recently with Electrolux (in designing a worldwide project), Nokia (with the mobile phones’ Project for the fourth generation) and Leica, which its partnership resulted in choosing a student project to incorporate the wide brand portfolio. Positioning in the vanguard in design education, ESAD incorporates in its installations a research office in industrial design (INDI), which develops new products in direct partnership with national and international companies. Developing projects in several areas stands out the awarded Project of a wheel for a bicycle, which is in production run and the project of a stretcher-car for sport events.

Participating in programs such as Leonardo and Erasmus, ESAD continues a politic of permanent opening to exchanges with other national and international institutions, which brings to ESAD Italian, French, Irish, Canadian or Brazilian students, taking ESAD students to the four corners of the world.

At a building, especially built for this purpose, with 5000m2 of covered area, ESAD develops its ambitious mission – educate, improve, innovate – oriented for a spirit where the valorization of arts and design reflects an attentive look on the reality in which ESAD integrates itself and the willingness to always contribute to make a better reality.

Rules

Introduction
TITAN Illustration in Design – International Competition is promoted by ESAD Escola Superior de Artes e Design, Câmara Municipal de Matosinhos and APDL Administração dos Portos do Douro e Leixões.
The competition aims to award, promote and divulge illustration within design objects. To engage critical discussions on the role of illustration in design projects through lectures, exhibitions and publications.

General information
The TITAN Illustration in Design Competition launches its 1st call for entries aimed at design companies in all sectors of business, freelance designers, illustrators as well as local or private organisations.
TITAN is an award and a quality label with exhibitions in Portugal and abroad, as well as international conferences. In this first edition TITAN highlights and rewards a selection of the best work resulting from the collaboration between clients, designers and illustrators.
The TITAN welcomes illustrators and designers from all sectors of industry to exhibit their most recent and innovative creations. The products selected by the jury are awarded the "TITAN" label and proceed to form part of a number of exhibitions in Portugal and abroad.
The awards of TITAN are defined by an independent jury of professionals and experts to the most outstanding illustrations.

Call for entries
May 27th, 2008/ January 23rd, 2009

Jury’s selection
February 2009

Results, Awards ceremony and Exhibition
April/ May 2009

Eligible Entries
Illustration authors in published work within the past five years can enter the competition.

Jury
The jury is composed of international renowned specialists in several fields, from several nationalities. The jury has the final decision in any error or omission in this regulation.

Main prize
€ 8.000,00

Prize for each category
€ 2.500,00

The international jury may award an additional special prize, in the form of a certificate, if it is considered appropriate. Only the awarded submitters will be notified and the winner of the main prize will be invited to the exhibition and awards ceremony with the costs supported by the organization.

Exhibition
There will be a promotional event of TITAN Illustration in Design integrating an exhibition with the selected artworks and with the publication of a catalogue.

Conditions
In collective artwork all authors must be identified in the entry form.
An incomplete entry form will be considered grounds for exclusion from the competition.
The shipping charges of the artwork sent, as well as the custom fees are chargeable to the addresser. The organization reserves the right to refuse any artworks sent in with a custom payment due. To avoid any custom fees, artworks should be declared as “material for contest entry, no commercial value”.
The organization declines any responsibility in case of loss or damage of the artworks in transit.
The material will not be returned and becomes property of ESAD Escola Superior de Artes e Design and Câmara Municipal de Matosinhos.

Any person taking part in Titan implicitly agrees with its regulation. While the authors remain the sole owners of their artwork, they acknowledge the non-exclusive right of Câmara Municipal de Matosinhos and ESAD of:

• reproduction of their artwork in the exhibition, catalogue, posters, leaflet, DVD, internet and all media of promotion of TITAN Illustration in Design;
• digitalisation, reproduction, exhibition and communication to the public of the artwork and its dissemination for promotional, scientific and/or educational purposes on all media.

The organization commits to notify on each medium the prohibition for any person or legal entity to reproduce, perform and/or communicate to the public the artwork without the authorization of the artist, as well as the legal sanctions applied to the infraction.
The name of the author shall be credited on each medium reproducing the artwork.
The author expressly authorizes, free of charge, reproduction of the artwork’s photographs and of the author’s biography.
The use of the artworks lies within the scope of the promotion of the cultural activities of Titan. The author expressly agrees to abandon any and all remuneration related to the present activities.

Main prize
8.000,00 EUR

Prize for each category
2.500,00 EUR

The international jury may award an additional special prize, in the form of a certificate, if it is considered appropriate.

Only the awarded submitters will be notified and the winner of the main prize will be invited to the exhibition and awards ceremony with the costs supported by the organization

TITAN國際插畫設計比賽中是第1次針對設計公司的所有部門的業務，自由設計師，插圖畫家以及地方或私營機構進行徵件。「TITAN」在葡萄牙和國外是一個具規模的設計展覽以及國際會議。

TITAN國際插畫設計比賽歡迎插畫家和設計師從所有行業展示其最新和最創新的作品。優勝作品將由被該選擇作品的評審人士頒發的“TITAN”的標籤，並或邀參加在葡萄牙和國外所舉辦的展覽。

本次競賽報名截止日期：2009年1月23日

獲得優勝的首獎獎金：10500(美元)

更多資訊：

• TITAN . ILLUSTRATION IN DESIGN

[藝術]2009年春季【ART SHOW】開始徵件(09/01/05)

Let’s have an ART SHOW!
Let your ART SHOW!

你有絕妙的藝術創意，也有扎實的製作巧手。
你與不同的空間相處，總是知道如何為它妝點打扮，變身成吸引注目的鎂光焦點。

但是，你是在學的學生，或者，你是年輕的創作者，
在尋找舞台可以讓你來場演出…

現在，【ART SHOW】提供了台北富邦銀行的櫥窗空間，讓你盡情秀。

關於【ART SHOW】
台北街頭，有車潮、人群、林蔭，還有鑲嵌於大樓內的一扇扇櫥窗，如五花八門的彩色萬花筒，依隨時節更替與潮流轉換陳列出各式各樣的美好渴望；是春日的時尚需求、夏日的旅遊夢想、秋季的詩書響宴、還有冬日的溫暖節慶，彷若城市溫度計般提醒著你感受當下。櫥窗成為都市裡最適合漫遊的陪伴，也成為行經旅人認識城市的一種方式。因此，有了【ART SHOW】的萌芽發聲。

【ART SHOW】是由台北富邦銀行的櫥窗轉化為藝術展覽空間，將持續創造多元的美感體驗，也成為台灣新生代藝術與設計創作的新秀舞台，透過視覺攪和民眾的感官神經，讓大家在台北快速游移的腳步上能有更多緩步停留的理由。如果你期待將自我創作轉化為都市風景；渴望透過創意激發起更多共鳴；有著滿腔的美感與熱情，請不要錯過這個展現自我的最佳舞台。

你要來【ART SHOW】了嗎？
Step 1，確認資格

• 年滿18歲以上，為藝術與設計相關科系的大專院校、研究所學生。
• 表現方式舉凡藝術裝置、平面視覺插畫、建築、服裝、工業、商品設計、各式複合媒材…，類別不拘，以呈現多元而跨領域之創意為主。

Step 2，選擇櫥窗地點

• 請選擇櫥窗地點：台北富邦銀行，(1)南京東路分行、(2)敦北分行、(3)天母分行。
  每份徵件報名表，僅能報名一個櫥窗地點，請依據各分行櫥窗特性與特殊限制而進行規劃。
  如欲提案多個櫥窗地點，請填寫個別的徵件報名表。

Step 3，繳交報名資料

• 下載：請於富邦藝術基金會網站下載【ART SHOW徵件報名表】。
• 繳交：包含：(A)個人資料、(B)作品說明、(C)裝置說明、(D)預算、(E)作品集 (為補充資料)。
  上述(A)－(D)，請附紙本乙份，並將所有電子檔案燒錄於DVD/VCD內。
  (檔案：解析度300dpi以上，RGB / CMYK皆可，JPEG / TIFF皆可。)
• 截止：即日起，至2009年1月5日(一)。
• 方式：以掛號郵寄方式送件，收件日期以郵戳為憑，逾期或上述資料不齊者恕不受理。
  寄至富邦藝術基金會，台北市106大安區仁愛路四段258號2樓。
  註明【ART SHOW徵件報名表】。

Step 4，初審

• 各櫥窗入圍兩名，總計六名。
• 2009年1月20日(二)公佈入圍名單於富邦藝術基金會網站。未入圍者恕不個別通知。
• 評選指標：主題性、視覺性、創意性、完整度、執行力。

Step 5，複審

• 複審日期，將主動聯繫入圍者個別告知。
• 複審需備妥所有相關資料，親自至富邦藝術基金會進行創作簡報。(如需電腦器材，請自備前往)。
• 於2009年2月13日(五)公佈得選名單。各櫥窗獲選一名，總計三名。
• 評選指標：口頭簡報、問答。

Step 6，成為2009年春季ART SHOW創作者

• 2009年3月25日(三)~27日(五)佈展，2009年4月1日(三)開展。
• 免費使用台北富邦銀行提供的櫥窗空間。(創作者需依約進行展後清潔與修復)。
• 獲得總額為新台幣5萬元整(含稅)的經費補助。(包含1萬元的創作費，4萬元的材料費)。
• 獲得富邦藝術基金會既有通路進行宣傳。(包含電子報、展覽網站、文宣等)。

【注意事項】
◆品牌表現：
由於作品展示地點為一公開場域，非純粹美學空間，因此創作內容需考量普遍大眾之可視性，請避免暴力、情色、血腥、政治等視覺與意識形態之表現。
◆展場狀況：

• (1) 本作品展示時間，將長達半年，請特別注意作品是否易於維護，避免掉落、腐朽。
• (2) 創作者需於展後進行櫥窗清潔與修復動作，始完成本專案。
• (3) 佈、撤展時間需依主辦單位規定時間完成。

◆合約簽擬：
提案通過之創作者有義務簽擬本展之合作備忘錄，始成立本合作專案。
◆作品備份：
所有報名資料恕不退還，請報名者自行備份。


相關網址：www.fubonart.org.tw
洽詢專線：(02)2754-6655*展覽組

更多資訊：

• Let's have an ART SHOW! Let your ART SHOW! @ 富邦藝術基金會
• ART SHOW徵件報名表 (DOC)
• ART SHOW場地說明書 (DOC)

[繪畫]2008插畫星光大賽 - 插畫原創‧世界精神(08/07/15)

競賽主題

2008插畫星光大賽—插畫原創‧世界精神

競賽目的

2008插畫星光大賽競賽目的在於發掘插畫潛力新銳，並匯集插畫創作能量。透過創作者對自我原創插畫的詮釋，與世界插畫脈絡接軌。

競賽時程

• 比賽宣傳時間 2008.0421-0525
• 線上投稿時間 2008.0525-0715
• 評審作業時間 2008.0716-0731
• 公布得獎時間 2008.0801
• 公開頒獎時間 2008.0810-20(預定配合插畫研討會舉辦)

競賽獎項

• 首獎1名：6萬元及獎牌+Wacam Intuos3 6x8專業繪圖版一組
• 二獎1名：1萬元及獎牌
• 三獎1名：5千元及獎牌
• 佳作5名：獎狀

報名辦法 報名方式

一律採用線上投稿，直接於線上表單填寫相關資料，於2008.0525(12：00)開始至2008.0715 (24：00)截止

●為避免截止時間前上傳爆滿問題，麻煩提早作業

作品規格

檔案大小不超過500kb，且必須為.jpg檔

作品件數

每位創作者以投稿兩件作品為上限

作品評選

• 本活動採用專業評審評選計分
• 專業評審評選
• 由主辦單位邀集五位專業評審評選。

合作單位

主辦單位 學承電腦、意念數位
協辦單位 設計師協會、設計魔力、黑秀網、攝影家手札
贊助廠商 EPSON、Adobe、Wacom

備註事項

1. 參賽者需詳閱活動辦法等相關規定。若作品與任一規定不符者，將不列入評選。參賽作品限未經比賽或刊登使用之自創作品，作品版權由參賽者自行負責。若仿冒或抄襲，經檢舉裁決確定後，將取消參賽資格。
2. 插畫作品表現不拘形式：電腦繪圖、電腦合成、手繪插畫等方式均可。唯報名時必須用電子檔呈現，並符合相關規格。
3. 主辦單位對於所有參賽作品擁有無償授權使用於所有比賽活動相關宣傳、展覽與媒體報導使用。
4. 得獎作品使用版權為主辦單位所有，得獎者亦得簽署同意書。
5. 得獎者須提供作品原檔案(或原作品)，並出席頒獎典禮。
6. 凡報名參賽者，即視同承認本次比賽辦法的各項內容及規定，如有未盡事宜，主辦單位保留修改之權利。所有的活動辦法也將以網站的最新公告為依據，煩請參賽者上網瀏覽查看。

更多資訊：

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